The truth on the tip of my tongue (the aftertaste of something I once knew)

Hybrida AiR (SE), 2022


Accounting for lost time with no hands, the anxious clock face serves as a framing device for a series of works developed during my stay at Hybrida AiR in rural Sweden. In the accompanying performance, I stand below and assume the role of the unreliable clock, talking in circles, trying to tell a story it once knew but has since forgotten. The performance attempts to draw connections between the works I developed during the residency: the clock face, a tenant living rent-free inside a landlord’s husk, and a pair of necropants.

You know what time it is…

This time

It’s about time

Time is of the essence

And only time will tell

And so I’ll tell you from the perspective of an unreliable clock

Desperate times call


Look! No hands!

I’ve lost my sense of direction

I don’t know left, from right, from wrong

While they say a broken clock is right twice a day 

But two rights don’t make a wrong…?


For this timeless face 

Time is just sitting there

Locked, boarded and hoarded

Appreciating in value

Time is of the essence

Which is to say time is money

Right on the money

Or was it left?

Landlords Husk

The story, as far as I can tell is about a pair

On one hand, a landlord

and on the other, a tenant

And It’s important to understand that they are two but also one

Like a pair of pants


One does not exists without the other and so

It’s difficult to say who wears the pants in the relationship

Or if they put their pants on one leg at a time

Or which one would like to get into the others pants

Or which one should keep IT in their pants


One of them wears the other 

Flaying them from the waist down

And slipping into the skin 

Wearing and being worn are two sides of the same coin – stolen from a poor widow

And deposited in the scrotum 


To evict is to crap your pants

And to seek serenity in your bowel cavity despite the mess

(They’re really someone else’s pants anyway)

This is the landlords death-drive

To flip a property inside-out like a glove

The rooms inverted like poor pockets pulled out 

Hanging inside out - out of the front door

Gored like guts, prolapsed - property

Landlords haunt and are haunted by this oxymoronic premise

Like ghosts living in an abandoned house 

Fostering the fundamental falsehood of their existence, 

which is — as you know — that 

Landlords are the only parasite who would have you belief they are the host

double sided diptych, two 64x46, gouache, charcoal, watercolour on canvas

Hybrida AiR (SE), 2022


Wearing and being worn (nábrók)

gold button (24k gold-plated silver), distressed corduroy pants

Hybrida AiR (SE), 2022


Buy to let there be light

Buy to let’s shake on it

Buy to let nature take it’s course

Buy to let me break it down for you

Buy to let’s face it

Buy to let your guard down

Buy to let yourself go

Buy to let you in on a secret 

Buy to let me think

Buy to let me get this straight 

Buy to let you off the hook

Buy to let it be

Buy to let bygones be bygones 

Buy to let’s call it a day

Buy to let’s get on with it 

Buy to let the good times roll


Who could resist their landlord’s withered husk

Crawling into their abdominal cavity and taking up residence

Embodying their landlord through derivative gestation - 

A little red riding hood neighbourhood

What is the difference between a house and a husk?

A landlord needs a life host

But a tenant only needs a husk

What is the difference between a host and a husk?

They’re two sides of the same coin

Procreating in the loins of a pair of necropants


You know what time it is…

This time

It’s about time

Time is of the essence

And only time will tell

And so I’ll tell you from the perspective of an unreliable clock

Desperate times call



East of the sun and west of the moon

video, 4:36 min

collaboration with Persijn Broersen and Margit Lukacs, 2022