The truth on the tip of my tongue (the aftertaste of something I once knew)
Hybrida AiR (SE), 2022
Accounting for lost time with no hands, the anxious clock face serves as a framing device for a series of works developed during my stay at Hybrida AiR in rural Sweden. In the accompanying performance, I stand below and assume the role of the unreliable clock, talking in circles, trying to tell a story it once knew but has since forgotten. The performance attempts to draw connections between the works I developed during the residency: the clock face, a tenant living rent-free inside a landlord’s husk, and a pair of necropants.
You know what time it is…
This time
It’s about time
Time is of the essence
And only time will tell
And so I’ll tell you from the perspective of an unreliable clock
Desperate times call
Look! No hands!
I’ve lost my sense of direction
I don’t know left, from right, from wrong
While they say a broken clock is right twice a day
But two rights don’t make a wrong…?
For this timeless face
Time is just sitting there
Locked, boarded and hoarded
Appreciating in value
Time is of the essence
Which is to say time is money
Right on the money
Or was it left?
Landlords Husk
The story, as far as I can tell is about a pair
On one hand, a landlord
and on the other, a tenant
And It’s important to understand that they are two but also one
Like a pair of pants
One does not exists without the other and so
It’s difficult to say who wears the pants in the relationship
Or if they put their pants on one leg at a time
Or which one would like to get into the others pants
Or which one should keep IT in their pants
One of them wears the other
Flaying them from the waist down
And slipping into the skin
Wearing and being worn are two sides of the same coin – stolen from a poor widow
And deposited in the scrotum
To evict is to crap your pants
And to seek serenity in your bowel cavity despite the mess
(They’re really someone else’s pants anyway)
This is the landlords death-drive
To flip a property inside-out like a glove
The rooms inverted like poor pockets pulled out
Hanging inside out - out of the front door
Gored like guts, prolapsed - property
Landlords haunt and are haunted by this oxymoronic premise
Like ghosts living in an abandoned house
Fostering the fundamental falsehood of their existence,
which is — as you know — that
Landlords are the only parasite who would have you belief they are the host
double sided diptych, two 64x46, gouache, charcoal, watercolour on canvas
Hybrida AiR (SE), 2022
Wearing and being worn (nábrók)
gold button (24k gold-plated silver), distressed corduroy pants
Hybrida AiR (SE), 2022
Buy to let there be light
Buy to let’s shake on it
Buy to let nature take it’s course
Buy to let me break it down for you
Buy to let’s face it
Buy to let your guard down
Buy to let yourself go
Buy to let you in on a secret
Buy to let me think
Buy to let me get this straight
Buy to let you off the hook
Buy to let it be
Buy to let bygones be bygones
Buy to let’s call it a day
Buy to let’s get on with it
Buy to let the good times roll
Who could resist their landlord’s withered husk
Crawling into their abdominal cavity and taking up residence
Embodying their landlord through derivative gestation -
A little red riding hood neighbourhood
What is the difference between a house and a husk?
A landlord needs a life host
But a tenant only needs a husk
What is the difference between a host and a husk?
They’re two sides of the same coin
Procreating in the loins of a pair of necropants
You know what time it is…
This time
It’s about time
Time is of the essence
And only time will tell
And so I’ll tell you from the perspective of an unreliable clock
Desperate times call
East of the sun and west of the moon
video, 4:36 min
collaboration with Persijn Broersen and Margit Lukacs, 2022